I WILL, TODAY NAFTALIA, ADMIT – FOR THE SECOND TIME – SOMETHING – WHICH SAID – ABOUT BELOW IN THIS ITEM SONG BELOW – HWOEVER – AND YES I WAS LIKE THAT, WHEN IN DUBT ASK ANYONE SPEICLALY OLGA ANDHER MOM – AND OTERS IN ISAREL FROM INSEAD –
BWLOS IS SOME APPEDNEX FOR YOU – NAFTALIA BENEFFET – JUST FOR SOME FUN – AND STUFF
NOW, BUT – DONT CARRY MY ADMISSION TOO FAR – THOUGH – ME MEANS I LIKE DOVES TOO DID U GET THE MESSAGE AND MEANS ALSO THE HUMOR? BTW HOWZ SHAKED – ? SHE IS PRETTY YES – AND I LIKE BAR ARFEELI AND – TELL GA GADOT – THE WORD CALLED OLGA AND YONI NETANAYHU – AND SAME FOR – WHATS HER NAME – NATALIA THAT HOLLLYWOOD GIRL – WHATS HER NAME SHE WAS WITH BAARCK AND MICHELE OBAMA – YEAH WHATS HE NAME THAT GIRL – HAT BORN IN ISAREL REAL JEW ULIKE THE ALIYA SHIT – RUSHSIAN – NON KOSHER – JEW – EWHATS HER NAME BARACK – WHATS HER NAME OSCAR AWARD WIENR WHO MARRIE D A BOY WITH 900 , 000 MILLION DOLAR NET WORTH – THAT BOY WHO DOES BAELET – YEHA I MENA THAT GIRL IN PURPLE DRESS WITH MICHELE AND BARCK OBAMA – THAT – WHATS HE RNAMEOLGA – NATALIA -W HO – THAT 5 FETE 3 INCH TALL GIRL – THAT BALCK SWAN GRL AND THAT GIRL WHO DID ITEM SONG WITH LUC BESSON – I MENA THAT GIRL WAWHO WAS IN AJAY MISHRA DIAGRAMS WITH BARACK – I EAN – UNCLE SHIMON PERES – KNOWS HERNAME BUT HE IS HEAVNE NOW – WHATS EHR NAE OLGA – NATALIA WHO ? NATALIA – WHO ? WHATS HER NAME OLGA ?
NOW – SEE BELOW – AND YES, WHEN GANDHI SAYS HIS MOM IS WHRE AND SHE NEVER HAD SEX WTH MORE THAN ANY MAN – THEN – U KNOW ALL LIMITS – WLEL, ACORIDNG TO MOST OR SOME OR ALL POEPLE, HAE =VE EQUAL TO BEEN CRIOSSED AND IT SBEEN 17 PLUS YEARS FOR OLGA AND MORETHAN FROM 19987 TILL TODAY FOR ME – TEN U DO KNOW THAT GANDHI – IE MAHATMA GANDHI WS GREAT SOUL BUT I THINK I IN PERSONAL CAPCCITY WENT BEYOND WAND W HAV E APROOF POINT THAT MONEY TALKS BULL SHIT WALKS – AND ALSO SEE BELOW – LIKE ABOVE IS SUMMRY AND BELOW IS – JUST – U KNOW SOME APPEENDIX, SORTA OF LIKE U PRESENT A PPPT TO A VC – BUT THEN U HAVE TFOR THUD FEFECT – SOME EXCELA ND APPENDEXI SO APPENDIXIS BLWO ND SORRY – FOR THE TYPOS – AND, TERE ARE ANY CLCIKS – AND – HENCE ABOVE IS SUMAMRY BUT I THUGHT U WERE IN SOFTWARE – ALSO – I LIKE ENTERPRENERUES – ALSO – BTW – SPECIALY THSOE WHO DO SARAYAT MATKAL AND SFWTAE AND – SENATE – :-
DO U DID – SAARAYET MATKAL AND – SOFWRE AND – SENETE – OR KNESETTE – TAHTS IMPRESSIVE SPECILALY FOR A 2 TIME LOSOER CALED AJAY MSHRA THES CUM –
SO IU KNOW I AM
S FOR SCUM
S FOR SHIT
S FOR ? – WHATS OTHER S FOR -> ME IS EMANS WHA IS AID S FOR TO BIBI – DID HE SAYS 4 WORD – AND HAARETX SAID DID HAARTEX SAID BIBI SAID 4 LETTERE S WORD TO NAFTALIA BENNEFFET ?
::)
NOW LISTEN – THERE IS A LANGAUGE OF LIBERALS AND I DONT HATE ANY PNE I JUST ASM PISSED AT THEIR – SELECTIVE ABOSROPTION – MENAING BROWN IS SPIRITUAL AND WHITE MUST BE BA D- BY DEINDITION – BY DEFAULT – SNOW SEE BELOW NAFTALIA – BUT ALSO LIKE I SAID, GANDHI WAS NOT COWARD EITEHR NAFTALIA – ITS JUST A DIFFERENT KIND OF COURAGE – AND U WERE IN SARAYET MATKAL, AND WHATS WS OLGA IN MY MAN l:) – – NAFTALIA – SEEN ITEM SONG – RUSSHIAN SOLDIER IN GREEN DRESS AND BLACK GLASSES ROMANCING YONI NETANYAHU FROM A TWON CALELD LUCKNOW AND U KNOW LUCKNOW IS ANICE FEEL GODD NAME, BUT LCUK SELDOM HAPENS IN LUCKNOW
TTHERE I SOE DIFFERENCES BETWEEN ME AND THE GOP – AND DNC – I AM SERUUS BUT I CANT BE SERIOUS ALL THE TIME THOGH – U KNOW YOI EANST GUNS OR ROSES – HE WAS GUNS AND ROSES – JUST MY 2 CENTS
After World War I, the idea of the “working woman” became popular. Since 1929, it was more common to see women in a social atmosphere. With the help of liberation organizations, the idea of a “modern woman” began to rise, and soon the “drinking woman” could be seen in business settings.[1] Companies increasingly hosted cocktail parties to have an entertaining environment for employees and customers to mingle. These parties usually began after 5:00 P.M.[2] Since guests are expected to walk around and meet people, clothes made for these occasions are often functional and comfortable. A cocktail dress could be worn to any event in the late afternoon as long as the accessories matched the time of day. This practical and fashionable garment became a popular uniform for progressive elite women in the 1920s.[3]
During the 1920s, French couture’s clientele consisted mainly of American department stores that reproduced French designs and promoted French designers. This caused French designers to create dresses to appeal to American buyers.[1]Since cocktail parties originated in the United States, French designers created their own version of a cocktail dress. However, unlike the strict, professional cuts of American-styled dresses, the French designed much looser and free flowing beach pajamas,[3][4] consisting of a silk top and palazzo pants, usually paired with a mid-calf-length wrap jacket or sheath.[3][4]These clothes are usually worn for more exclusive and intimate gatherings. The French style valued simplicity and elegance in their designs while American style valued functionality and efficiency. American clients wanted a single dress that could be modified to fit several times of the day with the use of accessories.[5] The fabric of the dress and whether it was worn with a cocktail hat differentiated a day dress from a cocktail dress.[3] By the mid-1920s, the hemlines of the dresses were right below the knee rather than ankle-length, which was more common for evening gowns.[3]
To take account for the economic crisis, designers such as Muriel King emphasized the importance of accessories by designing simple dresses,[3] which also helped the market for jewelry, hats, gloves, and sheaths. However, after the Wall Street Crash of 1929, private cocktail parties became more popular than corporate gatherings as luxurious lifestyles were no longer seen as fashionable. These elite gatherings helped the rise of day-to-evening fashion.[3]
After World War II, Dior came out with the “New Look”, which consisted of a tight waistline, long hemlines, and fuller skirts. This style flattered the women silhouette and created a romantic aura around the aesthetic.[3] Since cocktail parties were so popular, American designers such as Anne Fogarty began to create cocktail dresses that revolved around the “New Look” using less expensive fabrics.[3] French designers, such as Dior and Jacques Fath, saw the high market for cocktail dresses and began to design dresses for American department stores.[3]
With the increasing feasibility and popularity of air travel, French cocktail dresses became popular globally.[3] As French women traveled to wealthy resort cities, the designs of their cocktail dresses spread among the American elite. While French couture relied on travel and American department stores, American designers relied on fashion magazines, such as Vogue and Vanity Fair, and the need to dress semi-formally for cocktail hour.[3]
In 1948, Christian Dior labeled this business-casual dress with the term “cocktail dress”. This allowed department store to advertise specifically “cocktail” garments and accessories, increasing the growth of fashion stores.[6] The craze for cocktail culture drove sales in cocktail merchandise as well, such as cocktail and martini-printed fabrics.[3]
Jody Watley in a 1950s black sequined cocktail dress in 1990
The American cocktail dress could be anything from a “little black dress” to a floral-printed dress or a plain, short evening gown, as long as it was worn with accessories.[7]These might be earrings, pearl necklaces, bracelets, or brooches (stylish in the 1950s).[7] However, it was mostcommon to wear costume jewelry.[3] Although they were inexpensive, wearing large amounts was seen as daring and luxurious, especially when wearing a modest dress.[3] In addition, the jewelry would be worn along with hats: velvet, lace, or horsehair; little turbans or close-fitting caps of brocade, taffeta, or satin.[7]Gloves needed to be fashionably up-to-date and could be any length, material, or color.[7] Shoes were usually high heels, but evening satin sandals were also common and could be dyed to match the color of the dress.[7]
As cocktail parties became more high-end, the attire became subject to stricter guidelines, which allowed people to easily differentiate between the different identities at the party, the organizer, hostess, and wife.[3]There were strict rules of etiquette as women needed to wear gloves, hostesses were not allowed to wear accessories, and guests were required to wear cocktail hats, but never indoors